They name it “pulp pace” — writing at the least 1 million phrases a yr. That’s a median of 84,000 phrases a month, or 2,750 phrases a day.
And that’s how Enumclaw authors and publishers Leah Cutter and Blaze Ward stay their lives. Separately and collectively, they’ve achieved what many writers solely dream about: getting paid, full time, to write. No commute. No bosses. Heck, no pants, if you would like.
“The different enjoyable half is, anyone can do it. I used to be speaking to any individual about recommendation. They mentioned, ‘What recommendation do you’ve got for a younger author?’” Ward mentioned in a latest interview. “Sit down, shut up, and write. We can get you thru the opposite quarter, however that’s three quarters of it.”
Of course, the married couple didn’t simply get up in the future and determine to stay off their writing: it’s taken them years to give you the option to cobble collectively a income stream that has allowed them this stage of independence.
And the primary place to begin, Ward mentioned, is deciding what kind of author you need to be.
“The query I at all times ask individuals is, would you like to be well-known, or wealthy?” he mentioned. “Famous means you go get a New York contract and an agent and your books can be found in The Sequel down the road, Barnes and Nobel, and all that. As a rule, the place you used to make $50,000 or $100,000 advances 20 years in the past, as of late its $5,000 to $10,000, should you’re fortunate. And you’re making 10, 15 cents a sale. You might by no means stop your day job.”
“My objective in life is to be Bernie Taupin. He’s the man who wrote all of Elton John’s music. All of it,” Ward continued. “Nobody is aware of who Bernie is, however… he has money.”
So if it’s money you’re after, Ward and Cutter say, you’ve acquired to go the impartial route.
Cutter discovered this her personal manner after a quick stint of getting her books historically printed within the early 2000s. After a quick break from writing, she found she might probably make much more money if she printed her work herself.
Published historically, the couple mentioned, nets authors cents on each sale; however independently, particularly if the e-book is bought just about, the revenue is far greater.
“I want to transfer quite a bit much less books to help myself doing all the things independently than I’d historically,” Cutter mentioned.
But it’s not nearly writing one e-book, and even one sequence.
“You have to keep in mind that placing out [one] e-book, you’re not going to make any money. You’re not instantly going to be wealthy except you rolled six 20s,” she continued, making a fast D&D reference whereas giving a nod to authors like Suzanne Collins and J.Okay. Rowling. “That first e-book will get you some, and it’d simply be a pair drops of money coming in. But then you’ve got the following e-book, which will get you one other couple extra drops. Then the following e-book, which will get you some extra drops. And then possibly an article, and that will get you a bit little bit of a stream. After the top of 5 to seven years, you don’t have simply drops coming in — you’ve acquired trickles, and all these trickles flip right into a very nice stream. And that’s the technique you’ve got to take should you’re doing long-term indie writing like we’re.”
That’s the place writing at pulp pace is available in.
“Today is day 300 of the yr — I appeared this morning — and I’ve averaged 3,941 phrases each day this yr,” Ward mentioned. “That contains days taken off, goofing off, being sick, no matter. But I’m writing 120,000 phrases a month, typically.”
Cutter writes at a extra conservative pace at round 3,000 phrases a day.
That’s not straightforward work — the 2 of them take their very own recommendation, simply sitting down and writing till their every day phrase objective is met.
But the outcomes are inarguable: Cutter has written seven trilogies, two quadrilogies, and 15 stand-alone novels, whereas Ward is sitting fairly on quite a few long-running sequence and spin-offs with a complete of 50 books.
Of course, when the secret is publicity, you may’t simply stick to fiction. That’s why Cutter and Blaze even have a line of eight non-fiction books all about, effectively, how to write and publish, known as “Business For Breakfast.”
The couple additionally has their very own anthology journal publications — Cutter and Ward handle their very own quarterly and twice-yearly publications.
Ward has his sci-fi themed “Boundary Shock Quarterly” which simply printed its 12th quantity, in addition to “Blaze Ward Presents”; Cutter has her quarterly “Mystery, Crime, and Mayhem” publication, which simply printed its third concern, and “Cutter’s Final Cut.”
The quarterly magazines are closed syndicates — solely of us who’re well-known to Cutter and Ward write for them. But their twice-yearly publications are open to submissions from the general public (simply in case any aspiring native writers need to know that type of data).
Their final piece of recommendation is well-worn, however no much less invaluable for it.
“Write what you’re keen on,” Cutter mentioned. “Your ardour will carry you again to the web page when self-discipline fails you.”
To be taught extra about Cutter and Blaze or to take a look at their publications, you may head to Cutter’s publishing web site, www.knottedroadpress.com, or their respective web sites at www.leahcutter.com and www.blazeward.com.